The context of Huang Wan-Ling’s (b.1980) "Meisho-e" series is radial and has no endpoint. Pondering the relationship between panorama view endpoints and the picture frame, Huang constructs a non-eye angle picture. Huang inspired new temporal imaginations by creating an alternative space with various paper, collage, and layered materials. Huang aims to feature multiple points where the painter's perspective varies and there are several vanishing points.